Kindness in words creates confidence.
Kindness in thinking creates profoundness.
Kindness in giving creates love.
Lao Tzu
May the coming year offer opportunities for us to give and receive kindness.
Kindness in words creates confidence.
Kindness in thinking creates profoundness.
Kindness in giving creates love.
Lao Tzu
May the coming year offer opportunities for us to give and receive kindness.
My older
sister, Jan, was an eclectic artist who worked with great facility in
multiple mediums: oils, acrylics, gauche & watercolors; textiles
& yarns; wood, wire, & stone; paper mache & clay; ink,
graphite, charcoal, pastels, & colored pencil. She did theater set,
costume & makeup design; built stunningly detailed doll & fairy
houses; sewed & knit most of her own garb (using her own patterns);
& once even did a little choreography work for a classroom fashion
show.
She had a lovely whimsical streak as well. One Yuletide
many years ago she created some saurian tree ornaments as a gift. The
surety & delicacy of her lines still delight me.
The so-called "Little Free Library" movement began in Wisconsin (USA) fourteen years ago. This from the Little Free Library website:
"In 2009, Todd Bol of Hudson, Wisconsin, built a model of a one room schoolhouse. It was a tribute to his mother; she was a teacher who loved to read. He filled it with books and put it on a post in his front yard. His neighbors and friends loved it, so he built several more and gave them away." [Link]
It's become something of a cottage industry. Unfortunately, from my perspective, the pricing model for the boxes themselves is often unreasonable, putting the notion out of reach for many. A typical street box sold on their site averages $350; this does not include the needed installation materials (post, post topper, and installation hardware) or shipping.* I've seen "artisan built" library boxes priced online at over $1000 (also not including shipping or installation supplies).
My brother, Architect I call him on this blog, and I combined our design-and-build forces to create what I call a wee free street library for my neighborhood block.**
I combed local thrift stores and rummage sales to find a decent box. (Unlike Architect, I don't have the core building skills or tools to make one and did not want to trouble him with that.) After a few months I found what looked to have been a homemade wedding gift, a porch mailbox it seemed. Turned on one end, it seemed like something that could work. It's small, but usable (I ended up adding a small shelf for trade and mass market paperbacks.)
I sketched some design ideas and sent them off to my brother.
The inspiration for this was the Little Free Library that Architect built for his neighborhood. Its design echoes the design of his own home—which he also designed and built.
Architect expanded on my second drawing by adding a more expansive roof, enlarging the door from my sketch, and using beadboard paneling to mimic the siding on our house. He also built the support platform and post then gave it all a layer of primer. Except for the beadboard and door hinge, all the materials were repurposed from Architect's wood shop supplies stash.
Architect kindly did the installation. We'd had the municipal utilities department mark the gas line for us—it runs right along the front sidewalk so we needed to be careful in terms of digging the post hole. I added a concrete stepping stone (left over from some backyard garden work) so passersby can access the book box more easily.
The final view with the first titles! (We've already had some children's books added by a friendly someone.)
And two sweet notes:
Note: Architect is indeed an architect. His firm has specialized in "sustainable and socially conscious architecture since 1972." See this slideshow lecture for the Wright Design Series in Madison, Wisconsin in which he (Lou Host-Jablonski) describes Design Coalition's mission and work over the past 4+ decades.
___________________________________________
* The LFL website does have an FAQ which suggests that they are aware of the $ issue: "I can’t build a library or afford one of yours, what do I do?" Included is this link to a more DIY approach--though their tone is a tad condescending—they refer to those folks as having "the odds ... stacked against you."
** The name Little Free Library is trademarked, though not the idea as far as I can tell. See the LFL FAQ for more info: "Does Little Free Library Ltd have a trademark on the phrase “Little Free Library”?
Photo Credits
Stacks of old books: Ed Robertson via Unsplash. Book cover from Amazon. All other images by J.A. Jablonski or Lou Host-Jablonski.
© J.A. Jablonski 2023. All rights reserved.
Best wishes of the season to all! ✨
A difficult year here but a creative one. Looking forward to 2023: writing, sewing, drawing, painting, & building.
Will report on my writing at my author blog: J.A. Jablonski.com and on all of the 3-dimensional work here on my art blog, Dante's Wardrobe. Please join me!
Today I launched my author website. It's been a very long time in the making. Not the website specifically, though that was it's own adventure. I speak of my latest incarnation as an author.
The bulk of my writing has been professional, much of it in-house or published under institutional or organizational bylines.
While my doctoral dissertation and this artist blog, Dante’s Wardrobe have my name on it, many other publications do not. I was the co-lead and major content provider for Writing@APUS, the author of user manuals and technical presentation guides for a major professional and scientific organization and several universities, the promotional writer and designer for an alternative health care provider and a singer-songwriter, a guest blogger for an academic marketing site, and the creator of scholarly book and journal indexes. And I have taught in both the humanities and social sciences, having written the syllabi, lectures, video tutorials and text-based instructionals for undergrad, master's, and doctoral courses in professional and academic writing, science fiction and fantasy literature, information organization, and database indexing.
But I've been a storyteller/maker for as long as I can remember. Telling and making go hand-in-hand; in part, because my family are all natural storytellers who are also creatively talented, e.g., fine artists, wood crafters, writers, urban planners, calligraphers, automotive repair and paint artists, photographers, and clothing, costume, theater set designers. I myself have been a graphic designer, award-winning display window and exhibits designer, fictional letter writer, live-action role playing actor, theater designer and seamstress/sewist.
I am currently writing in three different genres (mystery, speculative SF, and magical realism) while trying to still keep one foot in the academic scene by researching material culture in utopian fiction. My pronouns are she/her/them/they; my honorifics are Dr/Ms/Mx.
Going forward, I will use this blog to report on my artistic work and interests. The Cool Books series will transfer to my author blog under the new title of Book Thoughts.
I am so excited to be launching into this new work and thinking space. I hope you will visit me in both.
A specialist in the music of the great New Orleans pioneering pianist and composer Jelly Roll Morton, Andrew has recorded all of Jelly’s known compositions on the “Complete Morton Project” YouTube Channel with clarinetist David Horniblow. Their duo album of Morton’s tunes on Lejazzetal was selected as one of the 10 best jazz albums of 2019 by the Times (London). Andrew lived in London from 2013-2020, performing in the UK and Europe with a number of acclaimed groups including the Dime Notes and Vitality Five.
Andrew is the founder of the Portland Jazz Composers
Ensemble, a 2012 Chamber Music America New Jazz Works recipient, and an
Oregon Arts Commission fellow. He
also performs and composes a wide variety of music ranging from
Argentine tango to modern jazz but with a strong focus on 1920s jazz and
classic tango styles."
Two years ago Meg Jones, reporter for the Milwaukee Journal Sentinel, and I met up at a coffee shop on Milwaukee's East Side. I had something to give her: a typewriter. Not just any typewriter, a Skyriter. The Skyriter was popular with journalists and war correspondents due its small size, portability (only 9 lbs including its metal case), and reliable action. In the 1970s, the case was updated to a soft-sided thing so that reporters, writers, and travel writers could tuck it under their airplane seats.
Meg Jones was both journalist and war correspondent. I admired the heck out of her and regular read her stories in JSOnline. I wanted her to have her own "reporter's typewriter." Five years before she'd already typed on the very machine I gave her, though she might not have remembered it that day in January 2018.
I used to collect typewriters. In 2013, Meg contacted me. Somehow she'd heard about me and these machines. I posted about that interview here. This is how I described how it came about:
"She googled typewriters AND Milwaukee, and my post about last year's Summer Solstice Type-In came up. Like any reporter worth her salt, she tracked me down and asked if she could call. And like a good librarian, I said, "Sure, I have lots of info you could use for a story."
Meg called, we talked for about 30 minutes. Then, offhandedly, she asked, "So how many typewriters do you have?" "Well," I says, "about 25." Then came that amusing nano-second pause and Meg asked, "Would you mind if I came over to your house to see them? Oh, and could I bring a photographer?"
It was a lovely afternoon's conversation. Meg was delightful and completely interested in everything. Talking to her was like talking to an old friend. She said she liked to make her own short report videos on her phone and might I please type something for background noise. (That's her typing at the end with me holding her phone over her shoulder.)
Her JS Online Video
From 2013 on we'd run into each other now and then, usually on the way in to a Brewers game at Miller Park. She was a serious fan. She'd stop for a friendly chat but then promptly motored off with great intent. She wanted to see everything game-related: batting practice, pregame, everything! One got the feeling that life itself was that to her: to be seen in total.
She was so excited to receive the Skyriter--wanting to know where it came from, if anyone had used it for writing before her. I had to admit that I'd gotten it via eBay and didn't know. We followed each other on Twitter then, and exchanged snail mail addresses to correspond, and for the couple years since she sent me her holiday letters. They were a blast to read! She SO enjoyed her work, her travel, and the people she met. They were travelogues in and of themselves.
Back in September Milwaukee's own Boswell Books hosted Iranian novelist Salar Abdoh for a conversation about his latest book Out of Mesopotamia, in which Abdoh discussed the "endless war" from a Middle Eastern perspective. Meg Jones was the host for the conversation, and oh my, was it fascinating. I've watched a lot of book launch interviews and this was anything but. Abdoh and Jones were of a kind and clearly respected each others' war reporting experiences.
Not too long ago I got another of her letters. She told me what she'd been doing and where she'd been of late. Then she thanked me again for the Skyriter. She had it on display in her guest bedroom, she said.
Meg Jones' obituary is here. You can hear her vibrancy, her joy, her professionalism throughout. And you can hear how much she will be missed by her colleagues and friends.
Rest in Peace, Meg. Rest in Power. Thank you for what you gave us all. How you will be missed.
The Gauntlet | Sydney Opera House | Video | Runtime: 25:17